Breath of the Wild is such a huge shift from the typical Nintendo formula that it doesn’t even feel like a Zelda game anymore. There are a few familiar jingles and the same goofy character designs for NPCs, but that’s about it. The gameplay is something else entirely. I wouldn’t necessarily call it original, though, because even the Wii U’s previous Xenoblade Chronicles X accomplished a lot of the same sense of exploration and adventure. But, man, I’m a sucker for adventure, and I had a lot of fun exploring such a huge map. It’s nice to be rewarded for veering off the main path. It’s not like you’re under any kind of pressure to find and beat the dungeons, either. There’s not even much guidance on which order to do them in, which is great.
That does mean the story plays out in very disjointed parts, though. But the story’s pretty lame, anyway. How many times now has a hero emerged 100 years later to defeat Ganon? I promise, if you only focus on the story-related missions, you’re gonna be disappointed. Breath of the Wild has so much more to offer. I just wish they’d found a better way to balance the difficulty with the openness. In order to keep the game from suddenly becoming too easy, most enemies do a huge amount of damage. I friggin’ hated how many monsters had that stupid laser lock-on attack. Combined with the fact that swords and shields can break and disappear forever, it was often easier to just run past enemies than stop and fight.
This isn’t a perfect game, then, so I’m surprised by all of the 10/10 love. Maybe critics have been so eager for Nintendo to make a game like this that they’re much more willing to overlook its flaws than I am. Hell, the controls alone knocked it down several pegs for me. I struggled with the button mapping for the entirety of the game. Nintendo invented the concept of “press A to jump,” so why the hell is the A button not the jump button here?! Certain areas in the game also suffer from noticeable framerate drops, and the stamina meter can be annoyingly limiting in the first few hours. I definitely hold Xenoblade Chronicles X more dear to my heart, but Breath of the Wild was still a great follow-up and the perfect way to say goodbye to the Wii U (or say hello to the Nintendo Switch, I guess).
There was a good story somewhere in here, but Netflix really dropped the ball this time. Iron Fist is pretty disappointing. And I’m not even holding the Netflix/Marvel shows to very high standards, anymore. They’ve all tended to start out great and then turn into a slog near the halfway point. Iron Fist, however, is consistently bland. Our hero, Danny, has so little personality, and it was never very clear who the villain was supposed to be. Sure, Danny spends plenty of time chasing after “The Hand,” but there’s really no single, formidable opponent. You don’t get to see Danny struggle and lose in the same ways that Daredevil and Luke Cage suffered (and ultimately grew).
I liked the potential of Danny Rand as a naive businessman, sort of like a mix between Iron Man and Spider-Man. But he’s really the worst thing about his own show. The supporting characters were much better, particularly the Meachum family. Ward Meachum wavered so much between being a good guy and a bad guy but in a believable way. It’s a shame, then, that the story didn’t revolve more around them. Instead, we get hours of Danny whining about Ye Olde Hand. At least the Hand’s mysticism fits better here than it did in Daredevil Season 2, but the Hand as a whole just comes across as an even sillier organization now. Seriously, this doesn’t give me much hope for The Defenders, but maybe an ensemble is what will really boost Danny to his true potential.
This game was incredibly frustrating for the first few chapters, because typical JRPG tactics no longer worked. You can’t just grind, level up, and power your way through battles anymore. You really have to be aware of your characters’ strengths and weaknesses and frequently use buffs and debuffs. Otherwise, enemies will wipe you out in two hits. But once I understood that, the game became really fun. I didn’t think Tokyo Mirage Sessions would be that strategic, though, based on how cheesy and silly the story is.
I normally don’t care for JRPG stories, anyway, but this one in particular is pretty hokey. Your characters are all TV/music idols with the most superficial problems in the world… except when monsters periodically attack the city. Even in battle, the cheesiness is ever present, as characters will sometimes perform “ad-lib” attacks that involve singing, dancing, and dressing up in cat costumes. If you’re easily embarrassed by cutesy stuff, you may have a hard time getting through this game without some serious cringing.
Thankfully, special attack animations can be skipped, and you can fast-forward through every cutscene. I appreciate the fast-forward option over outright skipping scenes, because it allows me to still get a sense of what’s going on. I do feel bad about ignoring the hours of Japanese voice acting it took to make this game, though. The production value here is impressive. But when it comes to RPGs, I’m in it more for the dungeons, and the dungeon designs and intense battles are some of the most fun I’ve had in any JRPG to date.
I watched 2013’s Journey to the West movie with no foreknowledge, but the entire time, I kept thinking… this feels just like a Stephen Chow film. So I was pleasantly surprised when the end credits rolled, and it turned out that Chow was the director! After sitting through this sequel, it’s very clear how much of a difference a touch of Chow makes. The Demons Strike Back feels like a lower-budget, direct-to-DVD production in comparison, which makes even less sense when you realize that Chow still wrote and produced it. But he did step away from the director’s chair, an absence that hurts as much as the entire cast changing, as well.
Yep, nothing about this movie is the same. The new monk is not nearly as charming, and the new Monkey doesn’t feel at all mischievous or playful. He’s just a guy doing a dumb smirk through most of the film. The jokes are also pretty lame, the fights (particularly the final battle) are visually confusing, and the character progression is extremely forced. There was huge potential in the love-hate relationship between Tang and Monkey that was never delivered on, and Pigsy and Sandy often served no purpose or had nothing to do. Like so many other things here, they just felt like items on a checklist.
I’m suddenly craving 3D platformers, and I really thought FreezeME was going to fit the bill. It channels the 3D Super Mario games so well, after all. Each level is very open with several goals to achieve, and you can finish these goals in any order at any time, much like Mario’s star system. I also liked how there were sub-tasks to find special green coins, which often boiled down to helping the various pig characters accomplish certain tasks. That’s when the game feels like it’s borrowing more from Banjo-Kazooie than Mario, but hey… if you’re gonna steal ideas, steal from the best, right?
Unfortunately, while FreezeME looks fantastic as a 3D platformer and has some really fun level designs (and occasionally clever puzzles), the game falls short where it counts the most. The controls are just… terrible. I haven’t yelled profanities at a game this much in a long time. Coupled with a wonky camera and some spotty ledge grabbing, it’s very easy to fall off obstacles and have to start your ascent all over. Navigating through the game’s water or ice sections will surely test even the most patient of players.
Several times, then, I was very close to giving up on the game altogether. I got so sick of trying to make the controls work. But everything else about the experience really tickled my nostalgia for 3D platformers, and I didn’t want to end on bad terms. So I stuck with it to the end boss, and I think I’m glad I did, but it’s hard to recommend the game when the controls required so much forgiveness. Apparently, several other 3D platformers are due out this year, which means FreezeME will finally have some competition. But until then, I guess you gotta make do with what you have.
I think I’m starting to get MCU fatigue. As a standalone movie, Doctor Strange probably wouldn’t have been that bad, but the whole time I was watching it, I couldn’t help but wonder how much this is going to shake up the Marvel universe. Doctor Strange adds a huge amount of magic to the proceedings. Not that magic hasn’t been at play before, but past Marvel movies (especially the non-Avenger ones) felt at least a little more grounded. Poor Hawkeye might as well retire for good if he’s expected to fight alongside Doctor Strange.
And this late into the MCU, I’m getting kind of bored with origin stories, too. The last origin story I liked was Deadpool, because it played around with the timeline. Doctor Strange walks a very straight path from normal guy to magical dude, and his transformation isn’t even that fun to watch. Sure, Benedict Cumberbatch plays the perfect smarmy asshole, and we get the occasional Marvel zinger, but it wasn’t as relatable as I thought it was going to be. We jump right into, “Oh, I guess magic is real now,” followed by, “And here’s your generic villain to beat.”
So the story is pretty weak, but the movie is still fun for no other reason than the visual effects. This is like watching Inception through a kaleidoscope. Fights take place while entire cities fold in on themselves, and one scene plays out in real-time and backwards… at the same time. It’s the most impressive-looking Marvel movie to date. Of course, it’s also the weakest in terms of character development. I never felt like I understood why anyone was doing anything or why we should care about Doctor Strange as a person. I know he’ll show up in future Marvel movies, but unless he brings his effects team with him, I don’t really care.